My two favorite non-writing activities related to writing are research and building playlists of music.
The current project -- a decidedly time-limited distraction from the novel -- requires an enormous amount of research, a lot of which is difficult. Good difficult. I know I'm getting close to where I need to be because of the dreams I had last night. Saturation dreams, the kind I have when my brain is putting together all the pieces and making sense of a bunch of stuff. It's not totally different from learning a new game (especially a mmporg). It feels strangely like swimming. At the moment I can't touch bottom, but I know it's there now.
The even more fun part for this story was putting together the playlist. I habitually do this for short stories. I suspect it's actually more important for short-form stuff than it is for longer works because short stories live or die by their hold on mood and music is an extremely effective way for me to get into the feel of the time and place. The times and places of this story are extremely particular.
Sometimes my playlists are heavy on music with lyrics. This playlist is largely instrumental, or with chanting. I even fit in a couple of Wimme's solo yoik pieces.
I'm being coy about the story itself because it's for the Haunted Legends anthology and... well, I feel like being coy about what I'm doing. If
nihilistic_kid or
ellen_datlow want to know what I'm working on before I send it, I'll be glad to tell them. I'm guessing not, though.
Also, I'm at that phase of story ideation here I get superstitious about saying what I intend to do, lest I pin down things that should be mobile.
- Music:Dead Voices On Air - Tounge Like Scree
In preparing to write a description at the beginning of 4, I did a bit of research I really should have done before chapter 1 and neglected to do because I thought I could trust my memory.
Hah hah. WRONG!
At the beginning of the book, it's June 1985. My main character runs a Commodore 64 BBS and has a huge collection of demos and games -- in fact, he's got a hard drive, which was a hugely exotic item at the time. Due to plot things, his collection of demos becomes important and he trades a bunch of them with another character.
The problem is that there was no established demo scene in 1985. The first few appeared that year, morphing out of the crack intro, but there wasn't any sort of established scene until later in '86.
For a variety of reasons I can't easily just move the narrative forward a year or two (there's a bunch of plot stuff depending on very specific and time-limited tech). It's note a huge problem -- I've already solved it, in fact. I'll just make the focus in that part of the book be entirely on cracked games.
It's a problem that got me thinking of prevention, though. So I went out and got a copy of The Puzzle Palace by James Bamford, and I'm going to order up a couple more books from Amazon. I don't want to get caught similarly ill-informed when it comes time to write the government agency parts of the story.
Between phreakers, crackers, carders, a registered nurse and the FBI, CIA, NSA and NRO I am going to be utterly swamped in jargon. It's going to be interesting balancing it all so it's comprehensible to readers. Not everyone liked the new Miami Vice movie, and a commonly cited reason was that it made pretty much zero concessions to explaining things to the audience.
- Music:Fields Of The Nephilim - Last Exit For The Lost
Do you box up everything because it might be useful some day? Have you been doing so since 1985? Are you a computer and/or gadget freak?
I need stuff from the 1985-87 era. What kind of stuff?
- Sharper Image catalogs
- Issues of Computer Shopper, Byte!, Compute, Computer Gaming World (or any other publication of that variety -- and yes, I'm aware there is a collector's market for some of that stuff; I don't want to collect -- see below)
- Manuals for telephone equipment (consumer or otherwise)
- Any ads for tech stuff from any magazines of the era
I don't need (or even want) actual physical copies. Scans are ideal and they only need to be good enough to be legible. If you can't scan them yourself, I'll happily pay for postage, scan them on my end and return whatever you sent me in the same condition you sent it (or pay you should something evil and postal happen in transit or while in my care). I don't even really need entire magazines. The ads are most useful to me, though reviews of hardware are great too, as well as speculative articles. I am completely aware that in asking for scans of ads and reviews from 1985 era Computer Shopper I am asking for A LOT. I'd be completely happy with a representative sample of just 10-15 pages, preferably covering several different areas of tech (pc, C64, Atari, printers, bulk floppy sales, etc).
Just to make matters easier, you can be enormously useful to me if you've got any of the stuff listed above just by leaving a comment here with some of the following information:
- Prices of floppy disks, tractor feed paper, ink ribbons
- Vendors for above
- Location of users group meetings and what their focus is
- Names of equipment manufacturers, what they make, how much it costs
- Ads for things that sound stupid or impossible
Also, if I'm being completely dense and missing some available public source (or even quasi-public) for that stuff, I'd appreciate being told I'm a bonehead who doesn't know how to google. Providing you also include a pedantic example of how I should have done it.
If you don't have anything of this sort, but know people who might, please send them the link to this page.
All queries should be directed to the comments, where I'll happily arrange whatever variety of transport is required.
- Music:Enigma - Endless Quest
I've been using the C64 Scene Database to download old C64 demos and cracks and games to get a better handle on the era of the story. It's been really fascinating to see that era through the lens of history and to be able to compress things or expand them as I choose. It's also been neat to see a lot of the old demos I'd watched on a proper PAL C64 (emulator) so they work correctly, but that's another story completely.
At the moment though, I'm at Panera and I've discovered that there's a nanny filter on their free wi-fi and it considers the Scene Database to be pornography. Odd.
Mind you, a nanny filter hasn't stopped me even a little bit. I'm working on a story about hackers, can I really justify letting something so petty get in my way? Of course not. So I'm hacking into a database about hackers so I can gather research to write a story about hacking. Delicious!
- Location:Panera
- Music:Employees arguing over hours
The biggest change is moving away from the extraction of 'light crude' -- oil that's in a relatively easily processable liquid state -- to extracting heavy crude. Heavy crude is oil sand or tar sand. I've seen at least one petroleum executive describe it as 'shit', and indeed that's what it looks like.
This change is an extraordinarily important one. There are an awful lot of oil sands in Canada. Depending on how you want to look at it, the oil sands of Canada have been 'discovered' either since the Bering Straight migration or 1760-something. These aren't some kind of major new thing.
Now the important question is: if people have known about them forever, and the oil companies have been sticking hypodermics into every apocrine gland on this planet looking for tasty, tasty Earth-sweat why did all that stuff with the Middle East ever happen at all?
The answer is that oil sands cost all kinds of money and resources to extract useful oil from.
There's an excellent, brief writeup about it at Technology Review.
Behind the cut I've assembled a collection of images to illustrate the physical scale of the project.They're stolen from all over the place, so if you see an image here that's yours and you don't want it here, please contact me and I'll take it down.
( Click here for scale! )
- Music:Laurie Anderson - Big Science
What happens if you get molten glass splashed on you?
I knew it would be a bad thing, yes.
Here's what I learned though. Glass becomes molten >3000 degrees. That's a thousand degrees hotter than is required to vaporize soft tissue.
The moral to this story is simple. It's very bad to get molten glass on you. Don't do it.
If only my characters had that option. Muahahahaahahaha!
- Music:The Cramps - Fever
- Music:Skinny Puppy - Tear or Beat
The signing today was Jeff VanderMeer who I had previously been exposed to in only small doses. After hearing the beginning of his next Ambergris novel, we bought the first two of them. What can I say, books with giant squid and ambulatory fungus are far enough up my alley to merit a security camera to be sure they aren't digging through the dumpsters for bank statements.
In the process of this, Shweta told me what the next story I'll write will be. It will be a domestic tragicomedy steam punk noir.
We hung out with some of the Clarionites and Jeff VanderMeer at the nearby sports bar and chatted for a bit, then I came home and finished the silphium story (now tenatively named Dies Atri). I immediately then started the next story.
In the process of writing the silphium story, I learned a few interesting tidbits.
- The Romans had 24 hour days. Every day had 12 hours of light and 12 hours of dark. The length of hours varied throughout the year.
- The Greeks had special, tiny coins that were carried in their mouths.
- There was a circuit that affluent Romans toured of the world that was ancient to them. The tours took between 4 and 6 years and was considered to be a part of their education.
- The word palimpsest comes from the practice of erasing scrolls and writing new works on them. By the 1st century there were merchants who specialized in books (printed on papyrus or vellum scrolls).
My head is so full of stuff right now that I'm likely to leave an infostain if someone bumps into me.
- Music:Dirty Three - I Knew It Would Come To This
I ended up spending most of the day getting things ready for guests over the weekend, so I didn't get as much writing done as I really would have liked. However, I did manage to at least lay out the basic skeleton of the meal my characters will be eating.
It's worth noting that this meal is an extraordinarily plausible one for the place and time. Really.
That's a raw cut & paste from my notes file. If anyone would like the actual, preparable recipe for any of these dishes, just ask and I'll happily supply it. There is exactly one item that isn't directly from The Roman Cookery of Apicius.
###Gustatio###
@Conditum Paradoxum wine
Honey, wine, Pepper, mastic, saffron, spikenard, fire-dried date stones.
#
@Varro's Recipe for Beetroot
Black beetroot, honeywine, salt, oil.
#
@Cymas
Cabbages cooked with cumin, salt, aged wine and olive oil served with a sauce of mint, pepper, lovage and rue.###Fercula###
@Raven with sweet sauce
Two ravens, pepper, lovage, celery seed, mint, raisins, honey, wine vinegar, stock and olive oil. Served cool
#
@Kid Seasoned with Laser
Black goat - intestines toasted and stuffed with pepper, laser and olive oil. Placed back inside the goat and sewn. Roasted together and cooked add ground rue and laurel berries. Take the drained kid from the pan and set it on a platter. Mix the rue and laurel berry into the juices in the roasting pan, simmer and pour this gravy over the kid and serve.
#
@Moray Eel with Saffron Wine Sauce
pepper, lovage, savory, saffron, onions, pitted damsons, wine, honey wine, vinegar, fish stock, boiled wine and olive oil###Mensae Secundae##
Nuts and apples
Cheese
I'm now at the point with this story where the research is all slotting together and making a nice framework for what I want to do. I really had no choice but to do deeper research today since I'd gotten up to the point where Titus Gratius is laying out the meal for Aulus Scaeva, and the point here is loving descriptions of the fine meal. I can't bloody well describe the meal if I don't know what it is, how it's prepared or how it's served. Happily, I now know all these things and they all interact with other parts of the story and mean something and all that good stuff.
Even though we've got houseguests, I'm going to be stealing away for a couple hours tomorrow to write gustatorial magnificence and malevolence.
- Music:The Handsome Family - So Much Wine
(not modern Greek, and not Ancient Greek either)
- Music:Laurie Anderson - Language is a Virus
That's not really a plot, but the way I do plot these days is to have a setting and a mood and do research to find the details around which live would move. In this case, I found the perfect detail about Roman ritual life: "...no one can sit at the same table with the gods that govern Death and the Dead."
And now I have a very solid plot, thanks to that little detail.
- Music:Tom Waits - Shiny Things
Since our friend Shweta is off doing the Clarion marathon, I thought it might be fun to play the Clarion home game and write six stories in six weeks. Why not?
To kick things off I'm going to write my story about the last meal prepared with silphium, the lost Greek spice. This means I'm reading a lot about ancient Rome, including bits from the Satyricon (mentioned earlier). The early 1900 edition I was reading had an afterward about such mysterious practices as 'Greek love'. It went out of its way to say that as unnatural as we modern people may like to think that Teh Gayzor was, pretty much everyone through history has done it so it can't be that wacky. Still, the writer (I think this particular bit was written in mid 1800's Paris) came down solidly on the side of good old het-luvv. For its defense of the holy pene-vag it quoted a bit from Lucian (or rather, someone pretending to be Lucian: the piece is called Affairs of the Heart). It's rather special, I've got to say. This isn't the translation that the book used -- I like this one better. With a defense like this -- dayum.
The setup goes something like this: Lucian, Callicratidas and Charicles are hanging out in the temple of Aphrodite. Callicratidas -- in his terrible boy-loving ways -- notes that the statue of Aphrodite has a very, very nice bottom and that even he would be moved to entertainment with her, so long as he didn't see the front-parts. This gets Charicles a bit pissy and after some preamble he launches into the following:
My head is spinning.But why do we not pursue those pleasures that are mutual and bring equal delight to the passive and to the active partners? For, generally speaking, unlike irrational animals we do not find solitary existences acceptable, but we are linked by a sociable fellowship and consider blessings sweeter and hardships lighter when shared. Hence was instituted the table that is shared, and, setting before us the board that is the mediator of friendship, we mete out to our bellies the enjoyment due to them, not drinking Thasian wine, for example, by ourselves, or stuffing ourselves with expensive dishes on our own, but each man thinks pleasant what he enjoys along with another, and in sharing our pleasures we find greater enjoyment. Now men's intercourse with women involves giving like enjoyment in return. For the two sexes part with pleasure only if they have had an equal effect on each other -- unless we ought rather to heed the verdict of Tiresias that the woman's enjoyment is twice as great as the man's. And I think it honourable for men not to wish for a selfish pleasure or to seek to gain some private benefit by receiving from anyone the sum total of enjoyment, but to share what they obtain and to requite like with like. But no one could be so mad as to say this in the case of boys. No, the active lover, according to his view of the matter, departs after having obtained an exquisite pleasure, but the one outraged suffers pain and tears at first, though the pain relents somewhat with time and you will, men say, cause him no further discomfort, but of pleasure he has none at all. And, if I may make a rather far-fetched point, but one I should make as we are in the precinct of Aphrodite, a woman, Callicratidas, may be used like a boy, so that one can have enjoyment by opening up two paths to pleasure, but a male has no way of bestowing the pleasure a woman gives.
Therefore, if even men like you, Callicratidas, can find satisfaction in women, let us males fence ourselves off from each other; but, if males find intercourse with males acceptable, henceforth let women too love each other. Come now, epoch of the future, legislator of strange pleasures, devise fresh paths for male lusts, but bestow the same privilege upon women, and let them have intercourse with each other just as men do. Let them strap to themselves cunningly contrived instruments of lechery, those mysterious monstrosities devoid of seed, and let woman lie with woman as does a man. Let wanton tribadism -- that word seldom heard, which I feel ashamed even to utter -- freely parade itself, and let our women's chambers emulate Philaenis, disgracing themselves with Sapphic amours. And how much better that a woman should invade the provinces of male wantonness than that the nobility of the male sex should become effeminate and play the part of a woman!
- Music:Shriekback - The Bride Stripped Bare
If only I was writing about Sumer, life would be much easier.
What'd I learn about harems? Not much. There were harems in the area I'm writing about. The term covers everything from simple 'forbidden places' to 'place where wives and concubines live'. I wasn't able to find out anything about who kept them, or how big they would be likely to be.
I blame the Romantics, who were totally hooked on the idea of the harem as a smorgasbord of hot chicks for swarthy guys with scimitars. I do know that was pretty far from the reality. More commonly the harem seems to have simply been the place where the women lived. The eunuchs too. Sometimes sons as well, at least until they were sixteen.
Filling in holes in knowledge is problematic when the subject is as broad as a whole culture and when the holes make up %98 of what you've got.
- Music:Tom Waits - Frank's Wild Years
I'm in a brain-hungry mood. The art stuff is sated for the moment, the picture I was working on is cooking nicely and I think I'll get something I'm happy with in the end. The writing brain is back, and so I'm amassing research material.
Today I'm researching the history of Persia (now Iran). It became pretty quickly clear why I was doing research.
I'm a bit ahead of myself.
See, the spaceship story just isn't cracking out of the seed yet. It keeps turning over and over. It'll end up being a story, I have faith. It's just not ready yet. Now an older seed is sprouting.
Years ago when I was keeping an online journal by hand-editing HTML, for a while I did daily writing exercises. I should probably do that again, since it was incredibly productive stuff. Quite a bit of what I did has grown up into something bigger. Now one more is. It was a short piece about a woman and a jinniyah in 15th century Persia.
I've known I wanted to expand this story for a long time, but I kept chasing around Jinn mythology. It's really frustrating. There's just not a lot of easily found info. Basically, there are two main sources of information. There's Burton's The Arabian Nights and then a handful of mentions in the Quran. I could probably find more stuff now if I looked, but when I was first digging into this stuff all sources pointed back to one of those two. Burton's account is by far the more detailed. The problem is that he was mostly making it up as he went along. Oh well. I've finally decided that if it's good enough for Burton, it's good enough for me. No reason not to just invent.
But I still need to know about the place and the time. There's a particular period that I'm interested in. It's the period of transition when Persia still had remnants of its extremely culturally diverse past but was in the process of shifting to complete Shi'a control.
I knew enough to know that such a time existed and I had some sense of what that meant, but I really didn't know jack shit about the subject. The more I read today, the more I realize how amazingly little I know.
I'm doing pretty good with research stuff, but if any of you dear readers have suggestions, I am a voracious creature of learning who will cheerfully gobble up whatever you've got!
- Music:The Black Heart Procession + Solbakken - Nervous Persian
So today I'm working on a couple of things. I need to get my office cleaned up. I've managed to lose some photos that Dennis sent me for his website, and he's getting ready to put at least the store back up, so I kind of need them. They're somewhere.
Also, I've been working on the worldbuilding portion of the Spaceship Story, and in doing so I've got some resources lined up that might be useful to folks doing science fiction-type stuff.
First up is Celestia. It's a multiplatform tool for exploring our galaxy. All of it. You can jump around between stars, zoom into planets, moons, asteroids, existing spacecraft, etc. It lets you speed up or slow down or go backwards or forwards in time. In short, it's an astronomy program for exploring everything. The basic download will get you going very nicely, but there's tons of awesome add-ons to make it even better. However, installing them can be somewhat less than intuitive.
The other tool is StarGen. There are both Mac and Windows versions of the stand-alone app, plus a link to a web-based version. It generates solar systems with pretty complete data on each planet. You can have it filter output to only systems with Earth-like, or potentially habitable planets. I gather that the method it uses isn't up to date with current planet-formation theory, but it does still produce good results for storytelling purposes.
Personally, Celestia has been an enormous boon. I've used it before to do things like watch the surface of Ganymede over thousands of years to see where Jupiter's shadow falls and to get a sense of the kind of day/night cycle. Plus, it's just inspirational for flying around in the great vastness of space. The main download includes a database of a couple hundred thousand stars, but you can also download a 2 million star-database. Zooming all the way out to see the entire Milky Way when you've got millions of stars will smash most desktop computer systems, but it's pretty awsome to do anyway. Plus, Celestia will let you keep zooming out until you're seeing just galaxies. Nebulas currently aren't handled particularly well, and the program limits actual visitable stars to ones within our galaxy, but that really should be enough for most purposes.
- Music:Tangerine Dream - Choronzon
